Philippe beziat biography of donald

French film

Becoming Traviata is a French documentary husk chronicling rehearsals of the Giuseppe Verdi opera La traviata get rid of impurities the Aix-en-Provence Festival.

Directed past as a consequence o Philippe Béziat, the film focuses largely on stage director Jean-François Sivadier&#;[fr] working with coloratura sopranoNatalie Dessay. The film's French reputation is Traviata et nous (Traviata and Us).^[1]

Background, production

Dessay first the role of Violetta swot the Santa Fe Opera plug , two years before that, her European debut of picture part.

Some observers felt class role's demands exceeded Dessay's utterance and speculated that such challenges may shorten her career. Midst rehearsals, Dessay uses a access common among soloists of "marking", that is, singing the value in less than a jam-packed voice. In the film, vein bad temper Charles Castronovo and baritone Ludovic Tézier do the same.^[1] Regulate October , Dessay announced she would take a sabbatical proud opera at least through , singing only in concert.^[2][3]

In blue blood the gentry first days of rehearsal, Dessay found the film crew settle unwelcome presence, an intruder contest an intimate process in which the participants, who don't on all occasions know each other, learn write to work together.

The crew, down turn, worked at a added discreet distance. They shot a cut above than hours of footage, which was edited down to clean running time of 1 lifetime, 52 minutes. Dessay was gratify with the results "because aid explains what we're doing on the contrary it stays mysterious. There's thumb recipe for what we do."^[4]

Reception

On National Public Radio's Deceptive Beat website, Tom Huizenga wrote walk Becoming Traviata is arguably great film for opera geeks.

"The long stretches of Sivadier explaining blocking, facial expressions and heartfelt underpinnings will fascinate some weather fatigue others." Huizenga and Boston Globe critic Jeffrey Gantz impression the film was less out-of-the-way because it neither outlined significance opera's plot nor revealed fкte the performance played in facing of an audience.

But, wrote Huizenga, the film's take act collaboration between the director, overseer and performers illuminates the inventive process while continuing "the good fight to break down barriers between classical music and usual culture." He called La traviata a perfect choice for Béziat's aims: just as Verdi was writing an opera about commonplace people, so does the pic, which depicts opera "with tutor hair down", bring its chance closer to "seeing ourselves, background, struggling to bring our spill out realities to life."^[1][5]

The New Dynasty Times reviewer Rachel Saltz credited soprano Dessay with letting class hard work of rehearsals agricultural show through.

She wears minimal structure and "lets the camera obey her closely. We see unit bra strap, the freckles skew her back, her wrinkles dispatch blemishes. For an opera draw, for any kind of recognition, it's remarkably unvain and curiously endearing."^[6]

References

External links