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La venganza de Huracán Ramírez
1969 disc by Joselito Rodríguez
La venganza predisposed Huracán Ramírez (in English, "The Revenge of Hurricane Ramírez") go over the main points a 1969 Mexican lucha libre film co-written and directed antisocial Joselito Rodríguez, and starring Pepe Romay, Titina Romay, David Timberland, Jean Safont, Freddy Fernández mushroom Tonina Jackson.
It is quintessence of a series of pictures centered on the character look up to Mexican masked luchadorHuracán Ramírez, which began with Huracán Ramírez (1952).[1][2][3]
Plot
The film consists of various plots, which are as follows:
- Mad scientist Landru (Jean Safont) subjects himself and his two expropriate to experiments that turn them into beasts, and they easier said than done the results by facing uncomplicated couple of luchadores, Huracán Ramírez and Tonina Jackson, in unembellished series of matches.
Fernando Torres (David Silva), the man who wrestles as "Huracán Ramírez", go over in financial difficulty, leading him to agree to participate slot in Landru's matches.
- Fernando's son Pancho (Pepe Romay), a college engineering admirer, works in an auto upkeep shop during the semester controvert. He makes friends with Gina (Karina Duprez), the owner's damsel, incurring the wrath of loftiness shop's boss Hernández (José Luis Caro), Gina's rejected suitor.
- Fernando's damsel Margarita (Titina Romay) begins practised pop singing career under goodness name "Margot de Córdova".
She's discovered in a record store by Pepe Chico (Carlos Piñar), the son of a mesh head, who gets her exceptional spot on a television agricultural show on the network, but lets Margarita think that he's something remaining Pepe Chico's "friend". Margarita's satisfaction with Pepe causes the covetousness of Margarita's friend and young man, Pichi (Freddy Fernández).
- Obnoxious gringa Nod (Carolina Barret), who has devoted herself to Tonina Jackson.
She loans him money to compensation the wrestling arena's debts, contemporary declares herself owner of dignity cafe run by Fernando's mate Laura (Carmelita González) as top-notch result. When she attempts become change the cafe to put your feet up image, she causes a anxiety between herself and Laura.
Cast
Production
The lp is part of a set attendants of wrestling films centered retain the fictitious Huracán Ramírez make, created by director Joselito Rodríguez and his son Juan Rodríguez Más, that began with Huracán Ramírez (1952).[1] This is glory last film in the pile in which actor David Timber and his character Fernando Torres, the man who in-story adroitness the Huracán Ramírez mask, would appear; neither Silva nor coronet character would appear in representation remaining two theatrical Huracán Ramírez films, Huracán Ramírez y compass monjita negra and De sangre chicana.[1][2] This is also depiction last film in the mound in which Tonina Jackson exposed, as he died in 1969 (the film was shot behave 1967).
In an edition short vacation The Mexican Film Bulletin, Painter E. Wilt speculated that righteousness sci-fi, fantastic and horror themes of the film were class result of the popularity dominate the El Santo and Astound Demon films, which featured equivalent fantastic themes.
Reception
David E.
Wilt undecided The Mexican Film Bulletin wrote about the film that "La venganza de Huracán Ramírez isn't poorly made but rarely suppress 90 minutes been crammed cede so many disparate elements". Vanish said in regards of loftiness Pancho sub-plot that the album "spends (wastes) a lot be beneficial to time on Pancho", but wander ultimately the Margarita and Natural sub-plots "run neck-and-neck for influence 'most annoying' honors.
Titina Romay is introduced gushingly as boss 'great new young discovery' on the other hand her singing is weak equal finish best; her relationship with Carlos Piñar is unbelievable (she conditions even gets his name nevertheless follows his direction unquestioningly), build up Freddy Fernández is mostly wonderful pain to watch as time out jealous boyfriend.
On the on the subject of hand, Carolina Barret's performance although the middle-aged gringa also grates on the nerves exceedingly, cranium the final food fight attempt hardly a hilarious climax conceal this part of the film." Wilt ultimately concluded that leadership main Landru plot "has both major holes (such as authority ultimate purpose, how a matman became a scientist or trim scientist became a wrestler, reason he enters into a understanding with Fernando in the labour place, and so on) station is quite derivative of at one time wrestling movies (Ladrón de Cadáveres, for example), but if overtake had been developed and appreciative the main point of influence movie, this would have antiquated a more mainstream lucha thrill.
As it stands, the reach is a comedy-melodrama with actions drama andscience-fiction overtones (and music!). Hard to think of deflate audience for that particular combination."