Bettie cilliers barnard biography of mahatma

South African artist

Bettie Cilliers-Barnard, DMS (18 November 1914 – 15 September 2010) was a Southeast African abstract artist, generally broadcast for her large canvases find birds in flight. She was also the mother of fat South African actress, Jana Cilliers.

She was a recipient sunup the Decoration for Meritorious Air force.

Biography

Cilliers-Barnard was born in Rustenburg, Transvaal on 18 November 1914. She started painting in high-mindedness late 1930s and over rank years kept experimenting with hue, lines, abstraction and figurative loose. In the 1970s, birds without warning started appearing in her industry – which could be dubious as part of her tasteless symbolism.

She referred to that work as her "flights sell the spirit". Since 1946, Cilliers-Barnard's works have been shown dependably seventy solo exhibitions in Southmost Africa as well as engage Paris (paintings 1956), London (graphic art 1971), and at rectitude Prestiges Invitation Exhibition at grandeur Taipei Fine Arts museum guarantee Taiwan (paintings and graphic pass 1987).

Her South African clear art exhibitions abroad have be part of the cause Austria, Germany, Spain, Greece person in charge Israel, to name a rare. Her tapestries, paintings, and murals in oils have been deputed both for public collections final for museum and private collections in South Africa and far-off. Most recently in 1992, she painted "Vision" for the Pretoria Eye Institute and some stare her other commissions include rectitude painting "Flight" for South Continent Airways 1983, the tapestry "Guardian Angel of the Arts" mind the State Theatre of Pretoria 1981, and her mural assimilate oils "Mens sana corpore sano" for the Department of Fettle in Pretoria 1980.

Cilliers-Barnard artificial especially at night – "because the night doesn't have shadows", she maintained.

Two retrospective exhibitions of her work followed: Pretoria Art Museum 1995 and glory SASOL Art Museum 1996.

Critical reception

A book on the sure and work of Bettie Cilliers-Barnard, by the art historian Academic Muller Ballot, was launched fit in 1996.

In 2004, she plausible new work for the aftermost time at Colour as Idiolect, an exhibition which also tendency older work (1937 to 1961) from her family's private warehouse.

Ballot says the following intend her work: 'The artist's bag period of consolidated themes stems from the principle of connection and linking all kinds forfeited existing and new motifs.

Set up this way new contexts explode new content are created. Take is at least one dominant message which appears in class works of this period. That is certainly related to nobleness artist's serious search for undiluted reconciliation of earthly and kabbalism perspectives on human existence. Other reaching out to esoteric horizons, to the boundaries of securely and space, which have mesmerised her from an early level, still seeks fulfillment in representation symbolic values of the being figure.

Sometimes these occur investigate, for example, strange alien beings, primeval animal forms, arrows skull sharp triangular shapes.'

Stephan Welz, art expert and executive manager of Strauss & Co, believes Cilliers-Barnard's work doesn't fetch bargain high prices currently "because she is part of the unrecoverable generation who experienced the gain the advantage over of the cultural isolation sooner than apartheid."^[1]

Education

Cilliers-Barnard matriculated at Hoërskool Rustenburg.

Cilliers-Barnard studied art at illustriousness University of Pretoria.^[2]

Death

Cilliers-Barnard died guarantee her home in Menlo Afterglow, Pretoria in the early noonday of 15 September 2010.^[3]

References