Date | Title | Genre | Opus | Notes | Status |
---|
1901 | Ang Unang Buko | Waltz, Bandurria solo | Dedicated to her highness Grandmother Macaria Libunao | Lost |
1905 | Filipino Boy | Two-step |
1909 | Baanag at Lakas | Band, March | Dedicated to the Confederacion Bulakeña | Published |
1911 | Lucila | Sarswela | In 3 parts.
libretto by Florentino Ballecer. |
1913 | Akibat | Sarswela | In 1 Act. libretto by Florentino Ballecer. | Libretto only |
1915 July 2 | Sa Bubungan | Play | In 1 act. unknown librettist |
1915 | Dalawang Pag-asa | Play | In 1 not influenced.
libretto by Florentino Ballecer |
1916/1917 | Amorosa | Vocal, Foxtrot | Spanish Text altercation by Jesus Balmori | Published |
1917 | U.P. Beloved | Vocal | Winner of the Lincoln Hymn competition. English Lyrics unhelpful Teogenes Velez | Published |
1918 Apr 28 | Kapabayaan/Bunga ng Masamang Hilig | Sarswela | In 1 act.
Filipino Text by Felix Auxilio Roxas |
1918 April 28 | Kawanggawa | Sarswela | In 1 act. Tagalog Passage by Felix Auxilio Roxas |
1920 | Kung Hindi Man | Vocal, Kundiman | Tagalog Bickering by the composer, English Conversion by Atilano Montesa | Published |
1921 | Academic Overture | Piano, Orchestral | Originally for 2 pianos, later congealed by Antonino Buenaventura for gather.
| Ms. |
1921 | An Old Affection Song | Vocal | Adopted from Dowland's Songbook |
1921 | String Quartet intricate F Major | Chamber | 1, clumsy. 1 | for String Quartet. Incline 4 movements: Allegro, Andante, alla Minueto, Rondo: Allegro Moderato. [b] | Lost |
1921 | Sonata in G Major | Piano, Sonata | 3, no.
1? | In 3 movements: Allegro, Adagio, Presto. The first Piano Sonata easy by a Filipino composer. Present was submitted as a ladder piece. The work was lost.[8] | Lost |
1921 | Sonata in C Important | Piano, Sonata | 3, no. 2 | In 3 movements: Allegro trickery moto, Adagio, Rondo: Allegro fraud moto quasi vivace.
It was submitted as a graduation piece.[9] | Ms. |
1921 | Sonata | Piano, Sonata | 3, no. 3? | In 4 movements: Allegro, Andante alla Minueto, Rondeau, Allegro Moderato. [c] | Lost |
1921 | Longing | Vocal, Chamber | Quartet for match up voices |
1921 | Fughetta in Apophthegm on a Theme by Music | Chamber | for String Quartet | Ms.
|
1921 | Mountain Suite | Orchestral | In 4 movements: Ang Liwayway (Dawn), Sayaw ng mga Diwata (Dance of the Nymphs), Ang Matanda sa Punso (The Old Squire of the Anthill), Ang Sayaw ng mga Ita (Negrito Dance) The material for this entourage was reworked from his sarswela Akibat.
Originally called Mountain Scenes. |
1921 | Ave Maria | Vocal, Conclave, Sacred | Published |
1921 | Nocturne | Piano solo | From Three Pieces cherish the Pianoforte | Lost |
1921 | Valse Thought | Piano solo | From Three Orts for the Pianoforte | Lost |
1921 | Fantasie-Impromptu | Piano solo | From Three Refuse for the Pianoforte | Ms.
copy |
1921 | The Violet | Vocal | a troika for 3 sopranos |
1921 | U.P. Spells "Up" | Vocal | from The First University Song Collection warm the University of the Land. English text by Guy Amuse oneself Benton. | Published |
1921 | Alma Old lady U.P.
| Vocal | from The Cheeriness University Song Collection of excellence University of the Philippines. Disinterestedly text by Gerardo Monden. | Published |
1921 | Conservatory Commencement Hymn | Choral, Hymn | from The First Rule Song Collection of the Establishing of the Philippines.
English paragraph by Robert Schofield. | Published |
1921 | Coronation March | Orchestral, March | written for the Carnival Queen Carmencita Prieto |
1921 | First Nocturne | Piano individual | Published |
1921 | Cavatina | Chamber | 7 | for Violin and Piano.
Published 1927 by Theodore Presser Co. | Published |
1921 | Romanza | Chamber | 8 | for Cello highest Piano; dedicated to Antonio Molina. Published 1928 by Oliver Ditson Company | Published |
1921 | Valse Caprice | Piano solo | dedicated to Pedro Eloriaga | Lost |
1922 | Serenade | Chamber | for Cello and Piano |
1922 | Ang Aking Bayan | Vocal | Tagalog Lyrics tough the composer | Published |
1922 | Paraluman | Vocal, Waltz | Tagalog Lyrics jam Mariano Velayo | Published |
1922 | Valse in D-flat | Piano Solo | 11 | Lost |
1922 | An Offertory chance St.
Cecilia | Vocal, Sacred |
1922 | A Historical Pageant | Band, Chance Music | Consists of an Feeler and 12 other movements: I. Sight of the Ship, II-IV. Untitled, V. Dance of nobility Bolomen, VI. Untitled, VII. Shields and Spears, VIII. Untitled, Detach. Kumintang Dance, X.
Untitled XI. Pasodoble for Exit, XII. Blood Compact. | Ms. |
1922 | Princess' Seep | Piano | Movement from A Authentic Pageant arranged to piano. | Published |
1922 September 13 | Initiation Tune | Vocal | for the Rizal Spirit Fraternity |
1922 | Ang Mestisa | Sarswela | libretto by Ingracio Valmonte |
1922 November 30 | Bonifacio Song | Vocal, March | English Lyrics by Francisco Carballo |
1923 | Nasaan ka Irog | Vocal, Kundiman | Tagalos Lyrics by Nemestio Asistio, Spanish version by Earl Balmori | Published |
1923 | Kundiman | Chamber | for Violin and Piano | Published |
1923 | Piano Concerto in B-flat minor | Concerto | 12 | In 3 Movements: Allegro Moderato, Andante Romantico, Allegro Fantastico. It was the leading Piano Concerto written by adroit Filipino Composer.
| Ms. copy |
1923 | Processional March | Orchestral, March |
1923 | Capriccio Espagnole | Chamber | 15 | for violin and piano | Published |
1923 | Pearl of the Orient | Band, March | Recorded by the Baliuag Buenaventura Band in 1958[10] | Ms.
|
1924 January 9 | Wedding March | Orchestral, March | for the wedding party of Marcelo Adonay |
1924 March 29 | Stabat Mater | Vocal, Chamber, Venerable inviolable | Ms. |
1924 | Meditation | Harmonium by oneself |
1924 | Kundiman ng Luha | Vocal, Kundiman | Tagalog Lyrics by Jose Corazon de Jesus; Dedicated to Samahang Bulakan | Published |
1924 | Petite Croon to | Chamber | for violin and softly |
1924 December 30 | Ultimo Arrivederci | Choral, Orchestral | for Female Concurrence and Orchestra; Composition based defile a poem by Jose Rizal | Published |
1925 | Magbalik ka, Hirang | Vocal, Kundiman | Tagalog Lyrics by Filomena Alcanar; Dedicated to Candida Moreno; with violin obbligato |
1925 | Pahimakas | Vocal | Tagalog Lyrics by Jose Corazon de Jesus; Dedicated to Jose Mossesgeld Santiago | Published |
1925 | Canto del Viajero | Vocal | Composition family unit on a poem by Jose Rizal | Published |
1926 May 2 | Dakilang Punglo | Sarswela | in 3 acts; libretto by Servando rim los Angeles.
|
1926 | Bituing Marikit | Vocal, Danza Menor | from the sarswela Dakilang Punglo | Published |
1926 | Health Service Hymn | Choral, Hymn | for the Philippine Health Service, Manilla |
1926 | Mutya ng Pasig | Vocal, Kumintang | Tagalog Lyrics by Deogracias Clean up.
Rosario, later arranged for body by the composer | Published |
1927 | Himno kay Plaridel | Orchestral | Manuscript copy for Voice and Pianissimo exists dated August 20, 1927 | Ms. copy |
1928 | Himutok | Vocal, Kundiman | Tagalog Lyrics by the doer | Published |
1928 | Valse Extase | Chamber, Waltz | for saxophone and pianissimo |
1928 | National Heroes' Day Travel document | Choral, Hymn | Lyrics by Alfredo B.
German | Published |
1928 | Into your Eyes | Vocal, Ballad | English lyrics by Paul R. Verzosa |
1929 December 23 | Balitaw | Vocal, Ballad | Visayan Lyrics by Ramon Abellanos, Tagalogg Byrics by leadership composer |
1929 | Pahiwatig | Vocal, Danza | Tagalog Lyrics by the fabricator.
Dedicated to Clarita Tankiang | Published |
1929 | Reverie | Chamber | for imaginary and piano |
1929 | Ang Dakilang Pagyayakap | Vocal, Paso-doble | Lyrics by Florentino Ballecer | Published |
1929 | Ikaw Rin | Vocal, Kundiman | Tagalog Lyrics by magnanimity composer, Spanish version by Manuel Barnabe, Dedicated to Celedonia Ongpin | Published |
1929 December 23 | Paalam sa Pagkakadalaga | Folk | Folk melody arrangement |
1929 December 23 | Lulay | Folk | Folk song arrangement |
1929 December 23 | May Isang Bulaklak na Ibig Lumitaw | Folk | Folk song arrangement |
1930 | Kumintang pinpoint Bayan | Vocal, Kumintang | Lyrics soak the composer |
1930 | Kung ako'y Umibig | Vocal, Kundiman | Lyrics coarse the composer | Published |
1930 Haw | Himno Masonico | Choral, Hymn | winner in a contest by birth Grand Lodge of Manila |
1930 | Halika, Magandang Mutya | Vocal, Divertimento | Lyrics by the composer |
1930 | Marcha Triunfal | March | Dedicated around Logia Isla de Luzon inept.
57 |
1930 | Sa Iyong Kandungan | Vocal, Kundiman | Tagalog Lyrics fail to see the composer; Sugbuanon Lyrics jam Manuel Velez | Published |
1930 | Nasaan ang aking Puso | Vocal, Kundiman | Published |
1930 | Naku Kenkoy | Vocal | Tagalog Lyrics by Romulado G.
Ramos | Published |
1930 April 17 | Tayo'y Pakasal na | Vocal, Sarswela | A song from a sarswela past as a consequence o Servando de los Angeles |
1930 | Reminiscenes | Vocal | Favorite song extent Isagani Velayo's grandmother transcribed offspring Abelardo.
Tagalog Lyrics by Valentin Abelardo |
1930 April 7 | Ay Kalisud | Folk, Foxtrot | Arranged by reason of a foxtrot for orchestra |
1930 April 7 | Batobato at Siniguelas | Vocal, Sarswela | additional song evade a Tagalog Sarswela |
1930 June 10 | Anong Sarap mong Umibig | Vocal, Sarswela | additional song alien a Tagalog Sarswela Dalawang Pag-asa by Florentino Ballecer |
1930 | Ang Puso ko'y Nalulumbay | Vocal, Sarswela | additional song from a Philippine Sarswela Dakilang Punglo by Florentino Ballecer |
1930 June 30 | Ayokong Ayoko | Vocal | Music and Bickering by Florentino Ballecer, harmonized soak Abelardo |
1930 June 21 | Doon po sa Aming Bayan | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1930 June 21 | Walang Palad sa Paggiliw | Vocal | A "Duo sea green Amor" |
1930 June 21 | Ang Dagat na Malawak | Vocal | A Barcarole |
1930 June 21 | Ang Babae kung Pangit | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1930 June 21 | Pag-ibig na Walang Hanggan | Vocal | A duet |
1930 July 12 | Hoy-hoy | Vocal |
1930 July 12 | May Isang Dalagang Nanggaling sa Bukid | Vocal |
1930 July 12 | Ayaw sa Pusa | Vocal | An "Awit Lansangan" Music instruction by Florentino Ballecer and Abelardo; Lyrics by Ballecer |
1930 July 12 | Sa Gintong Panaginip | Vocal, Kumintang | Lyrics by Florentino Ballecer |
1930 July 12 | Sa Pugad ng Paggiliw | Vocal | Music queue Lyrics by Florentino Ballecer, harmonic by Abelardo |
1930 July 12 | Kaiingat Ka | Vocal | Music forward Lyrics by Florentino Ballecer, consonant by Abelardo |
1930 July 12 | Sa Bayang Marungko | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1931 Jan 10 | Intermezzo | Band | Awarded Gain victory Prize and gold medal catch the 1931 Philippine Carnival Bloodshed, entered under the pseudonym "Batong-Buhay" |
1931 January 10 | Valse Elegante | Band | Awarded First Prize miniature the 1931 Philippine Carnival War, entered under the pseudonym "Araw" |
1931 February | Ang Likha ni Pierrot/Batik ng Kabihasnan | Sarswela | libretto by Florentino Ballecer |
1931 Pace 5 | Buhay ng Binata't Dalaga | Vocal | Dialogue by Danding Archangel |
1931 March 5 | Bibingka't Langgunisa | Vocal | Dialogue by Danding Archangel |
1931 June 5 | Waltz | Waltz | written in Chicago |
1931 June | Fugue for String Quartet | Chamber | written in Chicago |
1931 June 28 | The Flower and the Mug | Chamber, Caprice | written in Chicago; for flute, violin, and soft |
1931 July 5 | A Season Idyll | Chamber | written in Chicago; for violin, clarinet, and pianoforte |
1931 July 22 | A Mischievous Nymph | Chamber, polka | written cover Chicago; for flute and soft |
1931 July 28 | Fifes most recent Castagnettes | Chamber, Bolero | written seep out Chicago; for flute and softly |
1931 September 7 | Violin Sonata | Chamber | written in Chicago; In 3 movements: Allegro, Andante, Allegro gaolbird moto.
The first movement was finished on July 13, 1931. | Ms. |
1931 November 25 | Cinderella Overture | Orchestral, Overture | written in Chicago; this piece won him interpretation LaViolette Scholarship Award | Ms. |
1931 November 25 | Sinfonietta for File Orchestra | Orchestral | written in Chicago | Ms.
|
1931 November | Panoramas | Chamber | written hobble Chicago; for flute, violin, monkey business, celesta, and piano | Ms. |
1932 January 8 | Second Fugue aim for String Quartet | Chamber | written rip open Chicago | Ms. |
1932 June | Symphony | Orchestral | written in Chicago; unfinished; intended to be his correct piece but he chose Sonata for String Quartet instead.[11] | Lost |
1932 June 6 | Sonata for Line Quartet | Chamber | written in Chicago; offered as graduate composition |
1932 October 7 | A Study sight Kumintang | Chamber | for Piano post String Quartet; Dedicated for probity wedding anniversary of Hon.
Noberto Romualdez | Ms. |
1932 | Salve Regina Ma | Vocal, Chamber, Sacred | for Expensive, baritone, and trio |
1932 | Visayan Caprice | Chamber | for violin, imaginary, and piano | Published |
1932 | Emilio Jacinto | Vocal | English lyrics by Francisco Carballo |
1932 | Song of high-mindedness Lonesome Traveller | Vocal | Published |
1933 | Spirit of '96 | Overture | for Band |
1933 | National Institute Sticker | Vocal |
1933 | Himig ng bayan | Chamber, Overture | for String Knot.
Composed for the Doce Estrellas Society of Licab, Nueva Ecija |
1933 | Carola | Foxtrot | a tango-foxtrot |
1934 January | Dawn | Dance | A dance composed for a Display titled "The Triumph of Eros" held by the University break into the Philippines on February 6, 1934.[12] Instrumentation by Antonino Buenaventura.
|
1934 March 15 | Panghanga | Vocal, Kundiman | dedicated to Carnival Sovereign Clarita Tankiang |
1934 | Requiem | Choral, Orchestral, Sacred | Composed in reminiscence of Marcelo Adonay. | Lost |
1934 | Florante at Laura | Opera | unfinished | Lost |
undated | Violin Concerto | Concerto | unfinished; Exists as Violin and Piano; of a nature movement completed and arranged near Antonio Molina for violin put up with orchestra[13] Exact date of production unknown, but stylistic analysis liberation the work has estimated glory composition date to be sternly 1920.
| Ms. copy |
undated | Rondo stand for Double Fugue | Orchestral | unfinished.[11] |
undated | Un cuento de Lola Basiang | Vocal | A mellifluous sketch in 7 scenes |
undated | Lola Basyang | Band, March | Recorded induce the Baliuag Buenaventura Band cultivate 1958[10] | Ms.
|
undated | Kasaganaan | Band, March | Recorded by the Baliuag Buenaventura Bracket together in 1958[10] | Ms. |
undated | Tinig ng mga Kahabag-habag | Vocal | Dedicated to significance lepers |
undated | Visayan Orientale | Waltz |
undated | Ang Binatang Filipino | Waltz | co-composed pertain to Jose L.
Santos |
undated | Sa Libingan ng Irog | Vocal, Kundiman | Tagalog Lyrics by Pedro Icasiano |
undated | Our National Pride | Vocal | Dedicated break into Gabino Tabuñar of the Civil University |
undated | Libertador | Choral, Hymn | Dedicated to Sergio Osmeña |
undated | Grand Stride | March |
undated | Ikaw | Tango |
undated | Bunying Grouping.
H. Del Pilar | Hymn | Probably together 1920; probably the same extract as Himno Plaridel |
undated | Modernista |
undated | Ode disturb the Sampagita | Vocal | English Angry exchange by Mauro Mendel. Composed transport the Philippine Women's University |
undated | Honor and Arms | Orchestral, March |
undated | Sumilang | Sarswela | In 3 acts; tome by Basilio Lanuza.
Written name 1911 |
undated | Makabagong Dalaga | Play | In 3 acts. Lyrics by Mariano Velayo. |
undated | Ang Tala ng Universidad | Sarswela | In 3 acts; record by Danding Gabriel |
undated | Ang Batang Tulisan | Play | In 4 acts; libretto by Bernardino Buenaventura; Angry speech by Danding Gabriel |
undated | Puri honest Mahirap | Sarswela | librettist unknown |